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In 2004, camera dealers consider these cameras worthless, but private owners can attest that the cameras are still fully functional even without regular maintenance. Mayer quotes the price of a Maxxum 7000 with an AF 50mm f/1.7 lens at US$508 in 1985. All Maxxum cameras use A-type bayonet mount lenses, and Minolta MC and MD lenses are incompatible. The 7000 has TTL phase-detection focusing and metering, autoexposure and predictive autofocus. An LCD shows aperture, shutter speed and film frame count. A circuit on the lens relays aperture information to the camera body, and the motor for autofocus is in the camera body. The 7000 has two 8-bit CPUs and six integrated circuits.
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That way, the only control necessary on the lens is the manual focusing ring (plus the zoom ring in the case of zoom lenses). The Maxxum 7000, for example, has arrow buttons for setting aperture and shutter speed, rather than a shutter speed dial on the body and an aperture ring on the lens. The Maxxum cameras (3000, 5000, 70) made other innovations too. "Other major camera manufacturers quickly began playing catch-up.", writes Mayer. They were Minolta's first line of automatic focus SLR cameras, and in fact the first true autofocus-cameras the world had seen. In North America, they used the name 'Maxxum', in Europe the cameras were called 'Dynax' and in Japan they were named 'Alpha'. In 1985, Minolta introduced a new line of cameras. The chassis of the XD11, called XD7 in Europe, was used by Leica for the R4 up to and including the R7. While this is an extraordinalily high (read: ridiculous) amount, in 2004, the going price for a secondhand XM Motor (1976) is still substantially higher than the going price for a Nikon F5, Nikon's most prestigious film-based camera to date. The XM(XK) Motor (the motorized version) may well be the most collectible Japanese 35mm camera - in September 2004, after having been fought over heavily by many contestants, an XM Motor of 1976 collected as much as 2566 Euros on eBay, approximately 200% of its sticker price back in 1976. Many consider the XM (XK in the Americas), a pro-caliber tank from 1972, to be the quintessential Minolta. In 1977, Minolta introduced the XD-11, the first multi-mode 35mm compact SLR system camera, considered by many, including author Robert E. Other results were the Leica R3, which was in fact the Minolta XE-1 with a Leica viewfinder and spot light metering system. The Leica CL was built by Minolta, to Leica specifications. Tangible results of this cooperation were the Leica CL/Minolta CL, an affordable rangefinder camera to supplement the Leica M range. Leitz desperately needed expertise in camera body electronics, and Minolta felt that they could learn a trick or two from Leitz' optics expertise. In 1972, Minolta drew up a formal cooperation with Leitz.
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An American astronaut took a Minolta Hi-Matic rangefinder 35mm camera aboard the spaceship Friendship 7 in 1962, and in 1968, Apollo 8 orbited the moon with a Minolta Space Meter aboard.įrom the late '50's to the mid-'80's, Minolta was arguably the most innovative camera manufacturer - the first Japanese manufacturer to introduce a bayonet lens mount rather than a screw mount, the first manufacturer to introduce TTL metering with full aperture, and the first manufacturer to introduce multi-mode metering. In 1950, Minolta developed a planetarium projector, the first-ever made in Japan, beginning the company's connection to astronomical optics. (Chiyoda Optics and Fine Engineering, Ltd.) and built the first Japanese-made twin-lens reflex camera, the Minoltaflex based on the German Rolleiflex.
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By 1937, the company reorganized as Chiyoda Kogaku Seiko, K.K.
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A Minolta TLRRelying heavily on imported German technology, Nichi-Doku turned out their first product, a bellows camera called the Nifcalette, in March 1929.